Wilbert Vere Awdry was born on the 15th June 1911 was a railway enthusiast and children's author. He was better known as the Reverend W. Awdry, he was the creator of Thomas the Tank Engine, the main character in his famous Railway Serieswhich had its first broadcast on the ITV network in 1984.
Thomas the Tank Engine is a small fictional steam train in The Railway Series books by the Reverend Wilbert Awdry and his son, Christopher. He became the most popular character in the series, and is the main character in the accompanying television series, Thomas & Friends. homas the Tank Engine and Friends" is "live action model animation. To create the characters of Thomas, Henry, Percy, Gordon, and the gang, model-makers start with Marklin model train chassis and then modify the bodies to represent the various characters. Under a train's body shell lies the mechanism for moving the engine's eyes -- up, down, sideways, or 'round and 'round -- by radio control. In addition, there is a diaphragm pump and smoke unit to blow the specially formulated "smoke.".
Each character has its own basic face, which is first sculpted in clay. Then a rubber mold is made, and several copies are cast in a mixture of resin and auto-body filler. Each replica is reworked into different expressions, from which a final silicone casting is taken. The characters' faces are changed between shooting sequences and are held in place with nothing more than double-sided adhesive tape. Thomas alone has more than 40 faces cast for him, while the other engines have five or six each.
Thomas the Tank engine and friends is now created completely by CGI.
Who Framed Roger Rabbit is a 1988 fantasy-comedy film directed by Robert Zemeckis, produced by Steven Spielberg and based on Gary K. Wolf's novel Who Censored Roger Rabbit?. The film combines the use of traditional animation and live action, with elements of film noir. VistaVision cameras installed with motion control technology were used to accommodate the split screen photography of animation and live action. Mime artists, puppeteers, mannequins and robotic arms were commonly used during filming to help the actors interact with "open air".
Richard Oliver Postgate was born on the 12th April 1925, he was an English animator, puppeteer and writer. Peter Arthur Firmin was born on the 11 December 1928 and is an English artist and puppet maker. Between them they were the creators and writers of some of Britain's most popular children's television programmes. Postgate and Firmin mainly focused on stop motion animations; which then caused Noggin the Nog to be created, the first episode was first aired in 1959 and premiered its last episode in 1972. Due to the lack in animation technology The Saga of Noggin the Nog was draw completely by hand.
In 1974 Postgate and Firman created Bagpuss; bagpuss was a stop motion animation, due to the improvements in technology Bagpuss was in colour.
Walt Disney was born on December 5,
1901 in Chicago Illinois. Walt
Disney was an American motion-picture and television producer and showman,
famous as a pioneer of cartoon films and as the creator of Disneyland.Founder
of Disney, Early creations were Mickey Mouse, Donald Duck and goofy. Steamboat
Willie was a 1928 American animated short film it was the debut of Mickey Mouse
in 1928 it was the first animation in sync with sound; the old Mickey Mouse had
basic animation, time limitation, it was in black and white, no voices and was
hand drawn.
Australian cartoonist,
pioneer animated and a film producer. He is best known for the first Felix the
cat silent cartoons. After years or refusing to turn Felix the cat to
sound, he finally agreed to and let them add sound to an already created
animation. Feline follies (1919) - the Felix film.
Felix the cat was
originally a drawn cartoon, each frame was drawn our separately. After
drawings are cleaned up they are then photographed on an animation camera,
usually on black and white stock. Felix the cat originally started out as
a magazine. Pat Sullivan changed the way cartoon were seen. They also
sold Felix the cat merchandise. Felix the cat was one of the longest
running cartoons there has ever been.
Max
Fleischer was born 1883 in Vienna, from an early age he had an interest in
mechanics. He invented the Rotoscope with his brother in 1915, it is an
incredible device which helps to produce realistic animation. He is known for
bringing characters such as Betty Boop, Popeye and Superman to the movie screen
and was responsible for other technological innovations.
Fleischer’s studio was a major operation in New York under the
support of Paramount Studios. When the three-color Technicolor process became
available, Paramount vetoed it based on their concerns with economic balance,
giving Disney the opportunity to acquire its exclusivity for four years. Two
years later, Paramount approved colour production for Fleischer. These colour
cartoons were augmented with a Fleischer-patented 3D background effect called
“The Stereoptical Process”, this was before Disney’s Multiplane.
Fleischer
invented a concept to simplify the process of animating movement by tracing
frames of live action film. Extensive use of this technique was made in the Out of the Inkwell series. It starred Koko the Clown and Fitz the dog..
The
positives are that it was a quick animation, KoKo the Clown had human movement,
and the animation is very impressive for something that was made 94 years ago;
there is also diagetic sound which helps to make KoKo’s movements more comical,
all in all it was a fantastic use of the rotoscope. The rotoscope bought
animation and live action together. However it was very repetitive as it
was the same movements just at different locations, the quality was poor as the
quality decreased due to changing from animation to live actions.
Winsor
McCay used an animation technique called ‘key-frame animation’ which allows the
animation to move from one point, to the other smoothly. McCay also used the
‘split-system’ that he said he created to carefully lay out and time an entire
sequence. By the 1930’s, the ‘split-system’ was known as the breakdown
drawing or the passing position.
He then drew his subject midway between
his split and an extreme, and continued drawing in this manner until the
sequence was finished. McCay’s discussion of drawing for animation ends at this
point (Richard Williams The Animators Survival Kit barely begins at this point)
and he moves on to discuss his career, achievements and the future of
animation.
Winsor McCay was born in 1867 in Canada.
McCay had an interest in drawing from the moment he could hold a pen. In 1888
McCay went to work at the National Printing Company of Chicago to illustrate
posters mainly for circuses. In 1890 he moved to Cincinnati, creating
advertising posters for the Kohl and Middleton Dime Museum. McCay also picked
up additional work as a billboard painter.
In 1903 he produced sort of experimental
comic strip entitled "Tales of The Jungle Imps by Felix Fiddle",
based on poems by George Chester.
In this period newspaper comic strips were becoming very popular
so McCay began experimenting with his own original strips.
While working for Hearst, McCay began
experimenting with the idea of using animated pictures as part of his
Vaudeville act. His first attempt was made using the popular characters from
the "Little Nemo" strip. It was a huge success. He continued his
experiments with animation and created "How a Mosquito Operates",
which was also a success. Finally, in 1914 McCay created "Gertie The
Dinosaur". Gertie was an instant success and is the first original
character developed solely for the animated cartoon and not based on a
pre-existing comic strip.
Gertie was made into a feature film with a
live-action prologue and epilogue and shown around the world.McCay began working purely on animated
films. The next film released in 1918 was "The Sinking Of The
Lusitania”.
They both state that the paste
help to whitens your teeth.
Differences:
The new one has music
The voiceover isn’t monotone so
this help keep the viewer’s attention.
It is in colour instead of black and white.
The new advert is also half the
time of the old one, a shorter advert would also help to keep the audience’s
attention unlike a longer advert.
It also does not explain what
the toothpaste does in a lot of detail.
The old advert is very
simplistic, it has no creativity to it; it’s telling you what the toothpaste
does in a very boring manner.
The shots of the toothpaste
seem to be pictures put together to make the advert have the illusion that the
toothpaste is moving of things are moving around
The only moving spot is when
the woman puts the toothpaste on her toothbrush and brushes her teeth.
The old advert is boring and
dull whereas the new one is energetic.
The new advert does not
incorporate humans in the video as much as the old advert does, you only see a
brief shot of someone’s hand.
The old advert also has no
catchphrase and no text
Advertisers use a variety of techniques to get us to buy
goods or services. Some of them are listed below. Can you fill in the gaps and
find an example of the persuasive technique used?
Type of persuasive technique
Link to an advert which uses
this technique
The Anecdote: Personal
experience or story which is sold to us as proof.
In this link a woman named Caroline McKinnon had her laser eye
surgery and you see her before the surgery with her glasses on and she’s expressing
how happy she’s been with the company’s (Opitmax) services. She is then shown
without her glasses and she is stating how clear her eyesight is.
Adjective:
Crisp, fresh, healthy, nutritious, etc.
Repetition: Key points,
positives about the product, themes etc.
https://www.youtube.com/watch?v=R7gpmvcGIT8
In the advert they repeat the companies phone number several times throughout
the song and they describe their services as ‘Directory heaven’.
Statistics: Often
presented as factually accurate but sometimes they are a bit dubious.
This advert tells you the statistics for how many children are abused
and these facts can be proven – however as this is an old advert the facts
are no longer accurate.
TV advertising is marketing your product on
television to your target market. Advertisers desire to provide messages to people who are interested in their products or services.For example you would
broadcast a games advert on a children’s television channel and those children
will use pester power to get their parents to buy the product for them. Adults
would see the advert and it might appeal to them and make them want to buy the
products for friends, family, or a partner; especially if the advert is
relevant to the time of year (Christmas).
2. View three different contemporary TV
adverts and list three key characteristics of them.